My work maintains a connection to architectural theory, whether the manifestation is realistic or abstract. The implied architecture provides a balance that might not otherwise exist, frequently becoming the expression of how colors and shapes relate. The story develops with the fiber art, at times unpredictable, but always circling a continuous line of construct.
I find that my favorite pieces grow out of an amalgam of scraps. There is permission implied when new fabric is not cut to create the art. Working in this mode, I strive to make something fun from a pile of fabric that might otherwise be tossed.