EXHIBITION THEME
There is a continuum where beauty and function blend and diverge in the hands of the contemporary artist. Even when traditional materials such as thread, fabric, wood, reed, and paper are used, these artists combine skill, imagination, and vision to meld their materials into compelling and beautiful art which resonates in today’s world.
Artists are invited to participate in this conversation between media to illustrate the continuum between beauty and functionality. Wall-hung (2D and 3D), freestanding, and ceiling-suspended artworks will be considered.
With no theme and expanded size requirements, this is an opportunity to showcase the best in art quilts!
This is a joint exhibition with the National Basketry Organization. Artists who are members of both organizations should be advised that only one piece per artist will be selected by the jurors.
EXHIBITION SCHEDULE
Yellowstone Art Museum, Billings Montana: June 30 - October 22, 2023
Pacific Northwest Quilt & Fiber Art Museum, La Conner Washington, December 1, 2023 - February 28, 2024
Fuller Craft Museum, February - August 2025, Brockton Massachusetts, Exact Dates TBD
Additional venues will be added
ARTWORK REQUIREMENTS
Wall-hung (2D and 3D), freestanding, and ceiling suspended artwork are eligible.
- Pieces may not exceed 96” (8 ft or 243cm) in height, width, or depth. There is NO minimum size.
- All artwork must fit through a standard 34” doorway. Ceiling suspended pieces cannot exceed 20 lbs.
- Wall-hung pieces (2D and 3D) must hang without distortion. Traditional quilt sleeves, stretcher bars, framed or mounted work, and other hanging mechanisms are acceptable.
- Artwork must SAQA’s definition of an art quilt: "a creative visual work that is layered and stitched or that references this form of stitched layered structure."
ELIGIBILITY / FEE
Artists must be a current SAQA member to enter this call. $50 USD for up to 3 entries. $40 ($10 Early Bird Discount) if all entries submitted by July 15, 2022. Entry fee must be paid online before the entry deadline via a credit card or PayPal at www.saqa.com/fees.
QUESTIONS?
Please refer to SAQA’s Exhibition Guidelines and FAQs where many exhibition related questions are answered. If you have any further questions, contact us at Intertwined@saqa.com.
Beth C. McLaughlin is Artistic Director and Chief Curator at Fuller Craft Museum in Brockton, Massachusetts. McLaughlin has held leadership and curatorial roles in the arts and museum fields for over 25 years at institutions across the U.S., including Fuller Craft Museum, Oakland Museum of California, and DeCordova Sculpture Park and Museum. She has curated over 45 exhibitions and has served as a juror for a number of cultural organizations, including American Craft Council, Fiber Art Now, Massachusetts Cultural Council, and the City of Worcester.
Jane Sauer is an internationally recognized curator, lecturer, and art consultant who now resides in St. Louis, Missouri. She has been a practicing fiber artist for over 35 years with work in over 25 museum collections, including the Renwick Gallery, the Museum of Arts and Design in New York, and the American Craft Museum. For fifteen years she was the Artistic Director and gallery owner of Thirteen Moons Gallery, later Jane Sauer Gallery, in Sante Fe.
Lisa Ranallo is Registrar and Acting Curator at the Yellowstone Art Museum in Billings, Montana. She has worked with museum art collections for 25 years in museums as large as the National Museum of the American Indian and as small as the Brinton Museum in Big Horn, Wyoming. Her work with Fiber Arts began in the Textile Department at Minneapolis Institute of Art, where she installed and mounted textiles for major exhibitions such as Asian Silks of the Ch’ing Dynasty and Kaffee Fassett. She was also responsible for a complete textile rotation/replacement for the Frank Lloyd Wright house, Fallingwater in Mill Run, PA.