Artwork by Regina Benson, Earamichia Brown, Shannon Conley, Mattea Jurin, and Susan Polansky
AI: Artistic Interpretations (SAQA Global Exhibition)
AI: Artistic Interpretations unites the creativity of fiber artists from across the globe with the algorithms, data, and machine learning of Artificial Intelligence. This exhibition will showcase the boundless creativity that emerges when human artistry combines with the potential of technology. Use artificial intelligence as a tool in your artwork or express your response to it.
Combining artistry and technology developed from human inputs, AI: Artistic Interpretations encourages artists to explore what they can make when blending AI generated material with their own creative styles, resulting in works of art inspired by, or responding to, artificial intelligence and digital media. Wall-hung, ceiling-hung, and 3D artwork are all acceptable.
This groundbreaking exhibition is a collaboration between Louisiana State University Museum of Art (LSUMOA) and Studio Art Quilt Associates. The museum seeks to enrich and inspire through collections, exhibitions, conservation, and education, serving as a cultural and intellectual resource for the University, Baton Rouge, and beyond.
Exhibition Schedule
Louisiana State University Museum of Art, Baton Rouge, Louisiana: February 5 - May 10, 2026
About the Jurors
Michelle Schulte is the Chief Curator of Exhibitions and Collections at the LSU Museum of Art in Baton Rouge, Louisiana. Passionate about designing object based museum experiences, continuing education, and the advancement of the next generation of museum professionals, Schulte has held leadership positions with numerous museum and art education associations and presently serves on the Southeastern Museums Conference (SEMC) Executive Council and is Chair of the 2024 Local Arrangements Committee for the Baton Rouge SEMC conference. She earned a Bachelor of Fine Arts degree in photography from the Savannah College of Art and Design, a Georgia State Teaching Certification in arts education from Armstrong Atlantic State University (now Georgia Southern University), and a Master of Arts in museums studies from Johns Hopkins University.
Dr. Golden G. Richard III is an applied computer scientist working in cybersecurity, a Fellow of the American Academy of Forensic Sciences, and a devoted advocate for applied cybersecurity education, with over forty-five years of practical experience in his field. Richard currently serves as Professor of Computer Science and Engineering, Director of the LSU Cyber Center and Applied Cybersecurity Lab, and Associate Director for Cybersecurity, Center for Computation and Technology at LSU. His primary research interests include memory forensics, digital forensics, malware analysis, exploit development, reverse engineering, systems programming, and operating systems. Richard earned his Bachelor of Science in computer science from the University of New Orleans, and a Master of Science and Ph.D. in computer science from The Ohio State University.
Brendan Harmon is an associate professor at LSU of landscape architecture with expertise in spatial science, computational design, and robotics. He works at the intersection of the spatial sciences and computational design, exploring the entanglement of ecology and technology. Brendan’s current research programs include the design of robotic processes for planting and sensing landscapes, experiments in the use of point cloud modeling as a new creative medium, and documentary projects that use emerging technologies to preserve a record of our disappearing natural and cultural heritage.
Selected Artists
Regina V Benson (Colorado, USA) - At My Fingertips Earamichia Brown (Texas, USA) - Force of Nature Betty Busby (New Mexico, USA) - The Voroni Effect Deb Cashatt (California, USA) - Neural Neckwork Shin-hee Chin (Kansas, USA) - A Human Touch Anna Chupa (Pennsylvania, USA) - Camino Credenciales Shannon Conley (Oklahoma, USA) - Pixels June DaSilva Horwich (Ontario, Canada) - Forest Stories 2 Paula C Dean (Virginia, USA) - Despite the Fractures Susan Downing-White (Alabama, USA) - Rare Sighting Andrea Finch (Pennsylvania, USA) - Echinacea purpurea XII: Industria Mattea Jurin (Italy) - BRAVE NEW WORLD: Cellular Stargates Louise Krasniewicz (New Jersey, USA) - Book Burning Susan Lenz (South Carolina, USA) - The Gown's Story Susan Lett (Alberta, Canada) - Dyeing to Meet Digital Marjorie Madsen (New Mexico, USA) - Artificial Flowers Fuzzy Mall (Ontario, Canada) - Doug Van Es2 (composition #1) Marisa Marquez (Illinois, USA) - Stitched Syntax Lena Meszaros (France) - The Holiday Box Karena Nelson (Illinois, USA) - Haphazard Stefanie Wilson Neuner (South Carolina, USA) - Cognitive Restoration: AI and the Future of Neurodevelopment Kathy Nida (California, USA) - AI Is Not My Friend Frauke Palmer (Ohio, USA) - Neural Bloom Claire Passmore (Terre Rouge, Mauritius) - AI, Tell Me My Fortune Susan V. Polansky (Massachusetts, USA) - Self Portrait Amanda Preston Araujo (Colorado, USA) - Phoenicopterus Ignus Cindy Pryor (North Carolina, USA) - Ctrl+Alt+Delight Alison Schwabe (Uruguay) - Out of Order #3 Madeleine Simmler (Switzerland) - Gamma Ray Burst Jennifer C Solon (Connecticut, USA) - Grey Matters Mary Tyler (Washington, USA) - First Spark Joanne M Ursino (Ontario, Canada) - Screen/ing Pride Maggie Vanderweit (Ontario, Canada) - Crestwood Construction Claire M Voelkel-Sedlmeir (Germany) - Meaningful Imperfections Rosanna Lynne Welter (Utah, USA) - Let There Be Light
** Artists were notified via email on 07/09/2025
Related Events
AI: Artistic Interpretations (SAQA Global) - Louisiana State University Museum of Art |
AI: Artistic Interpretations (SAQA Global) - Louisiana State University Museum of Art