AI: Artistic Interpretations brings together the imaginative vision of fiber artists from around the world with the power of algorithms, data, and machine learning. This exhibition celebrates the limitless possibilities that arise when human creativity intersects with the evolving capabilities of artificial intelligence.
Artists were invited to use AI as a tool within their creative process or to respond to its influence, exploring how technology shaped by human input can become a source of inspiration. Whether integrating AI-generated elements or reflecting on its impact, participants created works that highlight the dynamic relationship between art and artificial intelligence.
This groundbreaking exhibition is a collaboration between Louisiana State University Museum of Art (LSUMOA) and Studio Art Quilt Associates. The museum seeks to enrich and inspire through collections, exhibitions, conservation, and education, serving as a cultural and intellectual resource for the University, Baton Rouge, and beyond.
Louisiana State University Museum of Art, Baton Rouge, Louisiana: February 5 - May 10, 2026
New England Quilt Museum, Lowell, Massachusetts: January 12 - May 1, 2027
Michelle Schulte is the Chief Curator of Exhibitions and Collections at the LSU Museum of Art in Baton Rouge, Louisiana. Passionate about designing object based museum experiences, continuing education, and the advancement of the next generation of museum professionals, Schulte has held leadership positions with numerous museum and art education associations and presently serves on the Southeastern Museums Conference (SEMC) Executive Council and is Chair of the 2024 Local Arrangements Committee for the Baton Rouge SEMC conference. She earned a Bachelor of Fine Arts degree in photography from the Savannah College of Art and Design, a Georgia State Teaching Certification in arts education from Armstrong Atlantic State University (now Georgia Southern University), and a Master of Arts in museums studies from Johns Hopkins University.
Dr. Golden G. Richard III is an applied computer scientist working in cybersecurity, a Fellow of the American Academy of Forensic Sciences, and a devoted advocate for applied cybersecurity education, with over forty-five years of practical experience in his field. Richard currently serves as Professor of Computer Science and Engineering, Director of the LSU Cyber Center and Applied Cybersecurity Lab, and Associate Director for Cybersecurity, Center for Computation and Technology at LSU. His primary research interests include memory forensics, digital forensics, malware analysis, exploit development, reverse engineering, systems programming, and operating systems. Richard earned his Bachelor of Science in computer science from the University of New Orleans, and a Master of Science and Ph.D. in computer science from The Ohio State University.
Brendan Harmon is an associate professor at LSU of landscape architecture with expertise in spatial science, computational design, and robotics. He works at the intersection of the spatial sciences and computational design, exploring the entanglement of ecology and technology. Brendan’s current research programs include the design of robotic processes for planting and sensing landscapes, experiments in the use of point cloud modeling as a new creative medium, and documentary projects that use emerging technologies to preserve a record of our disappearing natural and cultural heritage.
Regina V Benson (Colorado, USA) - At My Fingertips
Earamichia Brown (Texas, USA) - Force of Nature
Betty Busby (New Mexico, USA) - The Voroni Effect
Deb Cashatt (California, USA) - Neural Neckwork
Shin-hee Chin (Kansas, USA) - A Human Touch
Anna Chupa (Pennsylvania, USA) - Camino Credenciales
Shannon Conley (Oklahoma, USA) - Pixels
June DaSilva Horwich (Ontario, Canada) - Forest Stories 2
Paula C Dean (Virginia, USA) - Despite the Fractures
Susan Downing-White (Alabama, USA) - Rare Sighting
Andrea Finch (Pennsylvania, USA) - Echinacea purpurea XII: Industria
Mattea Jurin (Italy) - BRAVE NEW WORLD: Cellular Stargates
Louise Krasniewicz (New Jersey, USA) - Book Burning
Susan Lenz (South Carolina, USA) - The Gown's Story
Susan Lett (Alberta, Canada) - Dyeing to Meet Digital
Marjorie Madsen (New Mexico, USA) - Artificial Flowers
Fuzzy Mall (Ontario, Canada) - Doug Van Es2 (composition #1)
Marisa Marquez (Illinois, USA) - Stitched Syntax
Lena Meszaros (France) - The Holiday Box
Karena Nelson (Illinois, USA) - Haphazard
Stefanie Wilson Neuner (South Carolina, USA) - Cognitive Restoration: AI and the Future of Neurodevelopment
Kathy Nida (California, USA) - AI Is Not My Friend
Frauke Palmer (Ohio, USA) - Neural Bloom
Claire Passmore (Terre Rouge, Mauritius) - AI, Tell Me My Fortune
Susan V. Polansky (Massachusetts, USA) - Self Portrait
Amanda Preston Araujo (Colorado, USA) - Phoenicopterus Ignus
Cindy Pryor (North Carolina, USA) - Ctrl+Alt+Delight
Alison Schwabe (Uruguay) - Out of Order #3
Madeleine Simmler (Switzerland) - Gamma Ray Burst
Jennifer C Solon (Connecticut, USA) - Grey Matters
Mary Tyler (Washington, USA) - First Spark
Joanne M Ursino (Ontario, Canada) - Screen/ing Pride
Maggie Vanderweit (Ontario, Canada) - Crestwood Construction
Claire M Voelkel-Sedlmeir (Germany) - Meaningful Imperfections
Rosanna Lynne Welter (Utah, USA) - Let There Be Light
** Artists were notified via email on 07/09/2025
For purchase inquiries, please contact William Reker, Director of Global Exhibitions at exhibitions@saqa.art or 937-912-5009.
All artwork offered for sale is committed to completing the travel listed with its exhibition information. View terms of sale
